![]() You wouldn’t think that the Baltimore cops on Homicide: Life on the Streets would have much opportunity to run up to New York and collaborate with the cast of the original Law & Order, but in the television universe that’s what they did. Homicide: Life on the Streets meets Law & Order Sherman Helmsley gets to flaunt his comedic chops by dressing down the Banks family, which is both funny and touching - a nice way for Fresh Prince to give The Jeffersons the series finale it never had. Drummond, finally enabling the joke that had hung in the Fresh Prince sitcom atmosphere since 1990:”Whatchu talkin’ bout Will…is.” George and Louise Jefferson end up buying the house from Uncle Phil, apparently still moving on up. Uncle Phil is selling the Bel-Air mansion, you see, and of course some of the potential buyers are Arthur and Mr. The last ever episode of The Fresh Prince of Bel-Air found the show wrapping with a nod to some of its comedic forerunners, crossing over with the cast of The Jeffersons and Diff’rent Strokes. The Jeffersons and Diff’rent Strokes meet The Fresh Prince of Bel-Air It’s a neat trick, and one that works in no small part thanks to the writers, who make parts of the episode feel like a one-act play. Elsewhere staff do justice to both shows, keeping the cantankerous-but-lovable spirit of Cheers without losing the tension that fueled St. Elsewhere hospital and thinks of it as a “butchery.” It’s a bizarre bit of cross-promotion, but the interactions between Norm, Carla, and the St. Auschlander’s former accountant and Carla gave birth to her last child in the St. Elgius stopped by Boston’s most famous sitcom bar for a drink. But its best mash-up occurred when the staff of St. Elsewhere met in some form or another with Chicago Hope, M*A*S*H, and The Bob Newhart Show, among others. Elsewhere wasn’t shy about crossing over with other shows. We count down ten great crossover television episodes, after the jump. When they’re done well, crossover episodes are tiny links in the sprawling fictional universe of television, from Kramer’s turn on Mad About You to Detective Munch’s appearance on Arrested Development. ![]() But at their best, TV crossovers encapsulate that marvelous feeling you get when two pieces of pop culture wink at each other from across the room. Take the notorious episode of The Simpsons that crossed over with The Critic, a FOX-arranged partnership that Simpsons creator Matt Groening considered enough of an imposition on his creation that he removed his name from the credits in protest. Sending the characters of a lesser-known series into a more established hit (or vice versa) is a time-honored move for studios, but making the grammar of two shows mesh isn’t always easy. Television crossover events, like this week’s buzzed-about meeting between Grey’s Anatomy and Private Practice, are by nature complicated. ![]()
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